Cover design: Mir Suhail with Rukmini Bhaya Nair Cover image: Woman Writing a Love Letter/Indian Sculpture, 11th Century © akg-images All rights reserved. xiii constitute an extension of this copyright page. For legal purposes the Acknowledgements on p. Rukmini Bhaya Nair and Peter Ronald deSouzaīLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2020 Copyright © Rukmini Bhaya Nair, Peter Ronald deSouza and Contributors, 2020 Rukmini Bhaya Nair and Peter Ronald DeSouza have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Editors of this work. KEYWORDS FOR INDIA A CONCEPTUAL LEXICON FOR THE TWENTY-FIRST CENTURY
Benati LANGUAGE, MEANING, AND USE IN INDIAN PHILOSOPHY by Malcolm Keating POLITICAL METAPHOR ANALYSIS by Andreas Musolff RETERRITORIALIZING LINGUISTIC LANDSCAPES edited by David Malinowski and Stefania Tufi THE BLOOMSBURY RESEARCH HANDBOOK OF INDIAN AESTHETICS AND THE PHILOSOPHY OF ART edited by Arindam Chakrabarti THE BLOOMSBURY RESEARCH HANDBOOK OF INDIAN PHILOSOPHY OF LANGUAGE edited by Alessandro Graheli
Rajya Sabha, Lok Sabha (Rājya Sabhā, Lōk Sabhā)Īlso available from Bloomsbury CONTEMPORARY CRITICAL DISCOURSE STUDIES edited by Christopher Hart and Piotr Cap KEY TERMS IN SECOND LANGUAGE ACQUISITION by Bill VanPatten and Alessandro G. Sarva Shiksha Abhiyan (sarva śiksā abhiyān)īabu/Sarkar/Revenue Officer (bābū/sarkār/revenue officer)ĭharna/Rail Roko/Bandh/Hartal/Gherao (Dharnā/rēl rōkō/bandh/har Parivar/Samaj/Biradri (Parivār/samĀj/birādarī) Kabbadi, Gili Danda, Jallikatta (Kabaddī, Gillī Dandā, Jallīkattū) Jharoo/Teel Jharoo/Eerkali Chool (Jhādū//Teel Jhādū/Eerkali Chool) Jagran/Kirtan/Bhajan (Jāgaran∙/kīrtan/bhajan) Jagannath/Juggernaut (Jagannāth/juggernaut) Izzat/Sharam/Honour Killing (Izzat/śaram) Jhuggi, Jhopri, Slum, Chawl (Jhuggī, jhōpD∙i, slum, cāl)Ĭhapter 4: Intimacies: Culture and material cultureĭanda/Lathi/Lathi Charge (Dandā/Lāthī/Lāt∙Hī Charge)
Mantra, Tantra, Yantra (Mantra, Tantra, Yantra)Ĭhapter 2: Contemporary aesthetic modes: ReimaginingsĬhapter 3: Economic mantras, media and technological change Diacritic Characters Based on the Indic SyllabaryĬonversations: forms of the unpredictableĬhapter 1: Classical heritages: Databases of memory
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